Piero Gilardi (1942-2023)
He produced his first «nature-carpets» (tappeti-natura) using polyurethane foam, and showed than at the Sperone gallery (Turin) in 1966, then in 1967 at the Sonnabend gallery (Paris) and the Fischbach gallery (New York).
In 1968, he ceased producing artworks and embarked on a career as an art critic, becoming the correspondent for the magazine Flash Art. Travelling around Europe and the United States, he introduced Italy in the works of Richard Long, Eva Hesse, Jan Dibbets, and Bruce Nauman, and helped put on two major international shows: When Attitudes Become Form (Bern, 1969) and Op Losse Schroeven (Amsterdam, 1969), which both present the art tendencies of the moment (Arte Povera, Land Art, Antiform Art).
In 1969, start a lengthy activist and transcultural experience which aimed at theoretical analysis, and the "Arte Vita" (Art Life) conjunction. As a political militant and an organizer of young culture, he undertook different experiments involving collective creativity in urban and "worldwide" peripheral areas, in Nicaragua and in Indian reservations in the United States, as well as in Africa. He resumed his artistic activities in the 1980s, producing interactive installations which deal with our relation to nature and the world, offering visitors a chance to be part of the work. Those proposals sought in particular to raise awareness about ecological challenges, making use of the contribution of technology and science in the art world; with Piotr Kowalski and Claude Faure, he was the co-founder of the association Ars Tecnica in Paris in 1988. In 2003, he promoted the City of Turin's Park of Living Art project, which summed up all his experiences and experiments to do with the Nature-Culture dialectic. In 2012, his work was shown in a large travelling show (Castello di Rivoli, Turin; Van Abbe Museum, Eindhoven; Nottingham Contemporary Art, UK). In 2017, the MAXXI in Rome held a retrospective exhibition, Piero Gilardi. Nature Forever, showing the various aspects of his work.
His work is part of prestigious collections such as MoMA (New York), Centre Pompidou (Paris), FRAC (Basse-Normandie, Caen ; Poitou-Charentes, Angoulême) ; Artothèque (Nouvelle-Aquitaine, Limoges), Modern Art Gallery (Milan), Civic Gallery of Modern and Contemporary Art (Turin), Giorgio Morandi Foundation (Bologna), Ludwig Foundation (Vienna), MAMCO (Geneva), Moderna Museet (Stockholm), Centro per l'arte contemporanea Luigi Pecci (Prato), Museo Rufino Tamayo (Mexico City), Russian Museum (St. Petersburg).
"Nature Forever", Piero Gilardi's exhibition at MAXXI, Rome - Part II
Conversation between Piero Gilardi and Valerie Da Costa in the exhibition "Dalla Natura all'Arte" at Galerie Michel Rein, Paris
Parco Arte Vivente
Car crash. Piero Gilardi e l'arte povera
Art Basel 2023, imperméable aux secousses du monde
The Art Newspaper
Tout l'art du Monde à Art Basel
Le Quotidien de l'Art
Art Basel : Piero Gilardi, Michel Rein
Piero Gilardi obituary
Anticipatore e visonario. Ecco perché Piero Gilardi non va dimenticato
Quotidien de l'Art
Gilardi, activiste de la nature
Piero Gilardi, cofondateur de l'Arte Povera
Politiques de la végétation - pratiques artistiques, stratégies communautaires, agroécologie
Piero Gilardi. La tempesta perfetta
Piero Gilardi. Nature forever
Piero Gilardi. La mia biopolitica
Publisher: Prinp Editore
Piero Gilardi - Not for Sale
Publisher: les presses du réel