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Born in 1962, studied at the Winchester School of Art and Goldsmith College London.
Lives and works in Berlin.
In Hale’s works, book pages, text fragments, graphic structures, and figures in ink, as well as photographic moments of reality, are combined into new visual structures, according to the collage principle. Found and invented things are thus combined and confront each other as different layers of reality, directly entering into a narrative structure. These new combinations inevitably challenge the beholder to read the recoded visual elements in their (new) context.
The formal juxtaposing of “real” and “imagined” elements, found and added objects in the picture, corresponds in terms of content with different systems of representation and different ways of generating meaning. Through the combination of new content in the picture, creating a narrative by way of collage, Hale questions both their historical construction as well as current ways of functioning. The open-minded discovery of themes, initiated by accidental findings of image and text fragments finally leads to the work of art through a series of associations – thus Hale’s working method stands very much in the tradition of surrealism and dada. Furthermore, the works are also formally related to these art movements, as well as to pop art.
Selected exhibitions include:
Modern Monday at MoMA, NYC in 2011, DIE STADT – LA CITTA’ – THE MOTHER at the DAAD Gallery, Berlin in 2003.
He participated to Phoenix vs Babel (cur. Patrice Joly) at Fondation d'entrepise Ricard in 2008, Venice Biennial in 2003.